December 17, 2008
Best Records of the Year
Dear Internet –
So, normally, every Tuesday we’d like to make Reviewsday, where we review an album or a show or a movie or a play or a band or anything really. I know what you’re thinking. Today’s Wednesday. And Reviewednesday totally does not roll of the tongue. I know. We’re terrible. Our second post and we’re already breaking the yet-to-be-established form. But, what can you do? This is the blogosphere! It’s like sailing in international waters. No laws apply! Watch out world! Er, inter-world. That said, we’d like to break form again by make our first Reviewsday a year-end review of our favorite records. It was a tough call, but we’ve narrowed it down to ten albums by ten superb artists, some new, some old, all awesome. So, please, enjoy. These are in no particular order and music links all point to artist sites, label sites, various listening sites, or rcrdlbl.com, a great site that labels and artists use to provides samples of their music. We ain’t stealing!
TV on the Radio—Dear Science
This is no buck to the system or anything, but this album truly is great. It totally lives up to the massive amounts of hype. We’ve always thought TV on the Radio was good, but this album made us love them. “Family Tree” is one of our favorites. A beautiful song that builds on echoey pianos, ghostly strings, and Tunde Adebimpe’s soft to growling vocals. The whole album is pretty varied and, even after who knows how many plays in a row for us, we haven’t gotten sick of it in the least.
This was a great find at
Other Music in Manhattan. Windmill—aka Matthew Thomas Dillon from south of London—bases most of its songs on Dillon’s piano, which can range from soft and sparse to pounding. From there, the songs build intensity, climbing and falling throughout. Great, great songs and a great, great album. Dillon’s voice is unique, to say the least. Some might find it a bit grating, but I think most will fall in love with it, like we both did. If you’ve been looking for a wildly emotional album largely about airports and heartbreak, you just found it.

Ra Ra Riot—The Rhumb Line
We had heard from a number of places that this band was worth a listen. Then our friend, Jaime, put a song of theirs on a mix (we’re part of this Borough Music Exchange thing that another friend started) and we thought it was great. I feel like an easy comparison to make would be Vampire Weekend, but seemingly with more heart and substance to the songs. With full-time string players and, from what we hear, a vibrant live show, Ra Ra Riot is totally one of our new favorite bands.

Lykke Li—Youth Novels
We were first turned onto Swedish Lykke Li when a friend sent over a YouTube
link of her performing one of her hits, “Little Bit”, on a Stockholm street with a guy playing a mini toy piano. She’s gotten a lot of hype since and, again, she lives up to it. Her voice, while maybe coming across a little babyish, is soft and expressive and the instrumentation on her songs is great. Definitely worth seeing her live too. Her performance is the complete opposite of her seemingly shy voice. Plus, last time we saw her, she did a cover of “Can I Kick It”. Yes she can…. I bet someone’s written that before, right?

Cut Off Your Hands—Happy as Can Be EP
Cut Off Your Hands is from Aukland, New Zealand. Which is crazy far away. Despite that fact, we were lucky enough to catch them during CMJ this year. They’re definitely one of those bands that makes you INSANELY jealous that they’re so very, very good and inspired while still being so very, very young. They’re little babies with guitars. And supremely catchy, poppy, old-school punked, jangley out songs. Their first EP, Shaky Hands, is also highly recommended and even a little more raw in a great way.

Foals—Antidotes
Foals is from Oxford, England and yet another example of how good
Sub Pop is at finding innovative, excellent bands. They were first described to us as a mix between
Minus the Bear (high-pitched, hyper guitars) and
Bloc Party(singing style, britishness) and, we have to say, that’s pretty dead on. Thanks again, England.

Forward Russia—Life Processes
Again, an English band, this time from Leeds. Such a talented island they have over there. Other than being awesome, here are our favo(u)rite things about this band: 1. When they first started out, they named their songs by number, based chronologically on when they were written, 2) they have an excellent female drummer, which you don’t see nearly enough nowadays, and 3) their guitarist is named Whiskas. If you’re looking for intensely emotive, strained vocals and syncopated, jabbing guitar lines, these brits are for you. One of our favorites on this album is the last one, which starts out soft and builds into this amazing waltz-time anthem (linked below).

Crystal Castles—S/T
On to the Canadians. This duo, evidently named after the crystal castle in
She-Ra, is one of the many recent Toronto finds. I always thought they were named after that 80s Atari game about the cartoon bear (you remember, right?), mainly because many of their samples sound like they come straight out of an Atari game. If that makes them sound kid-like, they’re not. Crystal Castles is a scratchy, glitchy, powerfully energetic band that, from what I’ve read, put on crazy live shows. Must. Get. Out. More.

Tokyo Police Club—Elephant Shell
After, what—a million EPs?—the long-awaited Tokyo Police Club full-length was released this year. We neglected to get it right away, fearing it wouldn’t live up to what everyone hoped it would be. It turns out that was a huge mistake. The album’s great. Like a catchier but somehow more substantial version of that first
Strokes album. We love the whole album, but they certainly packed the most amazing songs into the first half. “Graves”, “In a Cave”, and “Juno” have got to be the best set of consecutive songs on an album this year. So hooky and addictive.

Santogold—S/T
This is another one there’s been a lot of hype about this year. But, again, it’s a great album. Though we’re not too fond of the cover art… Barfing glitter? Oh, I get it. Barfing GLITTER. Santogold, AKA Santi White, was the singer for a Philly-based punk band,
Stiffed, which was much more punk, much less electronic and dancey, which she focuses on a little more now. Great, catchy songs. She goes from sounding like
Siouxsie Sioux to the
Pixies in a heartbeat and we think that’s pretty grand.