We first saw Sweden’s Shout Out Louds play with our friends’ band, Metropolitan at the now defunct NYC club, Sin-e back in 2004. We were both totally blown away and have been fans ever since. They’ll be releasing their third full length, Work, on indie super-label Merge Records next month. In the meantime, they’ve graced us with a beautiful, catchy single that showcases a stripped-down, more honest sound that we hope is indicative of the coming record. You can hear it as this week’s Song of the Week and even check out a video for another single, “Fall Hard”. Their first show of the tour, at Brooklyn’s Music Hall of Williamsburg, has already sold out, but you can still catch them at Webster Hall in May and a number of other lovely cities around our fine country. Pre-order their record here, if you like.


And while we’re talking free music, our NYC music champion and record store, Other Music, is offering up new tracks from Owen Pallett (who formerly recorded under the moniker Final Fantasy and whose new record we are truly excited about) and Spoon‘s new release, Transference. Just sign in to their site and get downloading.

Tomorrow, In a Year
Reader, as you well know, we like us some birds. Be it due to their otherworldly aerial grace, the visceral impact of their stark form flocked against a pale sky, or just the inspirational inference of them in the mega-hit ‘Wind Beneath My Wings,’ as popularized by Bette ‘The Rose’ Midler, we think they’re pretty much top-notch. So, needless to say, we may be a bit more intrigued than your average bear with the self-described ‘electro-opera,’ Tomorrow, In a Year—a collaboration between weird-goes-awesome Swedish duo, The Knife, and Germans Mt. Sims and Planningtorock that is based on Charles Darwin’sOn the Origin of the Species‘. The production was commissioned by the Danish performance group, Hotel Pro Forma. Though The Knife’s Karin Dreijer Andersson (who performs and records solo under the moniker, Fever Ray) and Olof Dreijer admit there was a lot of hard work and research involved in preparing for the piece (they admit never having been to an opera), judging by the song they released last week of the score’s studio recording and the video and stills we’ve seen, their unique and traditionally inexperienced perspective has made this one opera we’d gladly sit through. Though it’s being performed in the coming months in faraway, what we can only assume are super-cold lands, there does seem to be some planning for additional live dates. We can only hope that brings them to New York. But, in the meantime, the two-disk studio recording is said to be released March 1st though, and we suppose that’ll do for now. That and a bunch of cray-zay youtube videos. The first track to be released from the recordings, Colouring of Pigeons, is this week’s Song of the Week and, though a listen’ll take a good 11 minutes out your day, it’s a beautiful rising-falling-crashing-crying-chirping slice of melodic drama and well worth a download. You can also get it here by signing up for The Knife’s newsletter. Hooray, evolutionary electro bird opera! Photo by Claudi Thyrrestrup.


No, No, It’s for a Good Cause…
Still don’t have a calendar for the first year of the tweens? Fear not, because the evidently very weird but kind-hearted people at United Bamboo—the fashion label, not the Chinese gang—have just the thing for you. They’ve eschewed their usual skinny, fancy, modely models and are taking the whole catwalk thing WAY literally, dressing these furry-headed little gals in the finest miniature versions of UB’s new duds. And, so that we don’t feel bad about dressing up animals up to make a buck, a portion of the proceeds will go to benefit KittyKind, a NYC non-proift, no-kill cat shelter (probably about 20% according to a rep at the NYC store). And, with Martin Luther King, Jr. day coming up (Monday, Jan18), we all now have one more option for volunteering. After we all buy the calendar. Get yours at Bird (hah). Photography by Noah Sheldon.

All of NYC had That Dream Where They Forgot Their Pants
That’s right, it’s time again for the annual No Pants Subway Ride. Want to participate? It’s this Sunday and all you have do is: 1) Meet at one of five meeting points around New York; 2) Be prepared to take your pants off and ride around the city all day; 3) Be ready for people to look at you like you’re nuts (pun intended); and 4) Keep a straight face the whole time. Me, personally, I’m just going ride the subway fully-clothed, comfortably warm, and thoroughly amused. Details here. And here are some photos and video from last year.

Au Revoir Dance Party
Love Au Revoir Simone but have the need to dance those winter blues away? The Teenagers have got you covered. They’ve just remixed ARS’s “Shadows” from their most recent album, Still Night Still Light, with startlingly excellent results. Well done, Frenchies. Head on over to rcrdlbl.com for a free download. Photo by Imma Varandela.

Please, Please, Please, Let Me Go To This Show
Our favorite Smiths tribute band, The Sons and Heirs, is playing the Bellhouse, everyone’s favorite new Brooklyn venue. Believe us, they’ve got this thing down. Well worth it for any Smiths/Morrissey fan.

And This One
And, finally, we’re beyond psyched to go see Passion Pit at Terminal 5 tonight, the first of three shows they’re playing in a row there, all sold out (sorry). But, if you can’t go to the show and you’re not super old, like me, you should check out the official after party at Webster Hall. Holy Ghost and members of Passion Pit are DJing and it’s only $1 if you RSVP and get there before midnight. Check out Passion Pit’s Manners recording session with Brooklyn’s P.S. 22 Choir. Super cute. Passion Pit photo by Oliver Lopena.

See ya’ll.


Dearest readers, at long last, we are back. We’ve journeyed our way through the cold, cold months of November and December largely without you, being harrowed by the frost and many tragic calamities along the way, and, through it all, that which chilled us most was the lack of you, dear reader. You have been missed, silent, mostly-hypothetical audience, and we are overjoyed to once again be locked in your somewhat limp, unengaged embrace.


No, no, we kid. You’re the best. We just had to step back and focus on that pesky “real world” thing for a little while (booooooooo). But, we’ve now successfully moved our home from the wastelands of Brooklyn to the kind-of-can’t-believe-how-cute-it-is-maybe-this-is-a-trick neighborhood of Carroll Gardens; moved into a brand new, slightly cold office in an old brewery in Boerum Hill; finally furnished said slightly cold office; and even went as far as remodeling the old Web log a tad bit (pretty, eh?). And we seem to be none the worse for wear. So, apologies for the extended absence, but we are now officially back. Hi.

And, with our backness, and in an effort to remedy the fact that our last Song of the ‘Week’ was up for…um, I think almost seven weeks…we give you this week’s Song of the Week, ‘Horchata’—the single from Vampire Weekend‘s new album, Contra, out next Tuesday.

Now, I have to be totally upfront with you, reader…I can’t lie to those vapid, empty eyes…I totally did not like Vampire Weekend the first time I heard them. That whole ‘hey, look look, we’re preppy preppersons and we play music in boat shoes and sing about yachts’ thing really kept me at bay (get it?). Even when one of my most revered music strongholds— Other Music—touted them as the next big thing that actually deserves to be the next big thing, I couldn’t do it. It wasn’t until I saw them play Saturday Night Live, with a full string section and more fleshed out sound, that they reeled me in. And as a result, I gave them a chance and, I must admit, much like all of America, I now think these guys are great. With Ezra Koenig’s superbly strained singing over jangley, Police-like guitar and strummed-like-a-guitar drum kit with the occasional Afro-centric rhythm, despite what any critics say, I think these guys have pinned down a great sound. And it’s a sound that’s definitely their own, one that can be and has been emulated, but can’t be done better by any other than them. So, obviously, the next question is, are they going to hit the sophomore slump with Contra. Seemingly, no way. It looks like they’ve answered the bated breath with the perfect formula: A Lot of the Stuff that Worked Before + Some New Still Awesome Stuff + A Little Vocoder. How could that not work? Not tired, but not straying too far from what sounded fresh and catchy the first go around. And I, for one, am psyched that they haven’t let the criticism that they’re a bunch of Ivy League white boys stealing African structures and rhythms veer them away from doing just that. They seem to be doing it even more blatantly actually. And it totally works.

But I’m just some guy at a keyboard, reader. Check out ‘Horchata‘, the Song of the Week, for yourself. And, in fact, thanks to the boys’ lovely use of the Interweb, you can listen to the whole album on their site right now.

Oh, and you read this in time, Other Music and SPINYC are holding a record release party tonight at SPINYC—48 East 23rd Street. Be sure to RSVP and show up early though. Info here.

Alright, that’s all for now, readers. Oh, and we love you.

Apologies for the lack of posts in the past month. I know, I know. You were totally worried we had quit the game, right? Well, after over a year of writing for this blog and just over 100 posts (hey, that’s a lot), we’re making a few changes to the format and plan to re-launch in the new year, post design work craze and post holidaze. In the meantime, enjoy whatever celebratory thing, secular or not, you may do in December, and get ready to win in aught ten!


Above: Simon, the tiny, tiny squirrel that lived in our flower boxes for a week at our new place in Cobble Hill. Hope you’re hanging tough and enjoying your nuts this winter, Simon! No nut jokes allowed…

Last week, one of my favorite bands, Copenhagen’s Efterklang, announced the new album they’ve been working on will be released on 4AD February, 2010. Efterklang truly produces some of the most unique, beautiful music I’ve heard in my recent years, so I’m obviously very excited. And, to add to the excitement and tide us all over for the next few months, they paired the announcement with the free release of a track from the forthcoming album—this week’s Song of the Week, Modern Drift. Now, having such a unique sound, you might think that the band would be one that morph or grow too much from disk to disk, but Efterklang has actually made significant strides in development with each release, starting out with charismatically glitchy electronic sounds and, more recently, bringing their unconventional song writing and structure to very conventional instruments—horns, acoustic stringed instruments and the like. With this tiny glimpse into their future, the first thing that strikes me is a much more mainstream sound. The structure is still edgy and, at times, unpredictable, but the voice and starting piano sounds almost Billy Joel-like. Okay, it’s not THAT mainstream, but, given the far from mainstream career this band has led to date, it’s surprising. That said, the song is an absolute gem—a shimmering, shifting reflection of autumn that’s made me smile every time I’ve listened to it. Check it out. Album cover by design studio, Hvass & Hannibal.

It’s that time of year again. NYC-based clothing designer Steven Alan is holding his legendary, bi-annual sample sale this week, and we’re ready to do our part to contribute to the revitalization of the economy. With his beautifully-made button-ups in myriad fabrics and ever-growing womenswear line, Steven Alan has become a staple of the American design world. And his sample sales are glorious circuses of discounted chaos. So we’ve figured out our spending limits, done our sample sale push-ups and sit-ups so we’re in peak rack searching condition, and we’ve even pulled out our old elbow pads, just in case things get a little rough in Tribecca. In addition to checking out the ground-level floor—full of massively discounted Steven Alan brand pieces for men and women—be sure to check out the basement too, where they keep the other designers’ merchandise. And be prepared to wait in line a bit outside as things tend to get pretty crowded. But trust us, it’s worth the crowds and worth the wait. Sale starts Thursday and runs through this Sunday, at which we assume you’ll be able to choose from a pair of argile socks and a XXXL sports jacket.

You might not know it looking at her EP’s scarily reminiscent of 2 Live Crew cover, but Lissy Trullie can write a damn good song. The cover shot is actually taken from a risque ’70s magazine—who doesn’t love retro porn?—and Lissy Trullie is actually Elizabeth McChesney, a DC kid who moved on up to NYC, and dabbled in graphic design and modeling before she and her band—also called Lissy Trullie—recorded the EP, Self-Taught Lerner at the beginning of this year. With the EP now re-released with four new songs and a new contract with Downtown Records, the band’s currently working on a full-length with Bernard Butler producing. But while you’re waiting for that one to hit the stores, check out her blissfully catchy Don’t to Do, this week’s song of the week. And no, I have no idea what that song title means. Kids these days…


Track courtesy of Downtown Records.

Sifting through the myriad new music that washed ashore in the wake of the CMJ Marathon, we came across this drum/vocal + guitar/keys duo from Amsterdam, The Moi Non Plus. First listen lumps them in with the art noise scene out of LA—Health, No Age, those kids. But I’m liking The Moi’s energy and obnoxiously endearing vocals, especially on this week’s Song of the Week, Ha Ha Ha. Plus ya gotta like a band that can make that much noise with just two dudes. Check ’em. Photo and track courtesy of Subbacultcha.