Last November, Katie and I walked into the Bellhouse to see Bishop Allen and Throw Me the Statue, sure we would be welcomed by some top-quality indie-pop. We instead immediately found ourselves watching what seemed to be a loosely choreographed dance number to some pre-recorded 80’s-style-Caribbean dance music which then morphed into Beyoncé’s ‘Single Ladies (Put a Ring on It).’ No, I’m not exaggerating. That’s pretty much exactly what happened. Don’t believe me?



I think we were standing right behind the videographer here. Clearly some very high dudes (invoking the genderless meaning of the word) with oddly-sober A/V skills had stormed the stage just before we walked in. Feel free to watch all 2 minutes and 24 seconds of that video. It doesn’t get any less weird. Weirder still the moment when these very high stage-stormers about-faced, picked up their respective musical instruments, and launched into an undeniably catchy, awesomely-written and -performed song. What the hell?

Thus our introduction to the NYC band, Darwin Deez. After an increasingly enjoyable set—and the two bands we actually came to see that night—I left the show determined to look the Deezes up as soon as I got home. Well, you know how that works out sometimes. Fast forward to…ah…last week when we immediately recognize this week’s Song of the Week, ‘Radar Detector,’ in a Volkswagon ad. Needless to say, the ad re-sparked my interest in the band and I now must deliver a well-deserved ‘danke’ to the automobile manufacturers. The total weirdos write some of the most simply-addictive pop songs I’ve heard in a while. ‘Radar Detector’ serves as a pretty good example of what these guys (again, genderless version of the word…sorry bassist, Michelle Dorrance, AKA Mash Deez) do well—build an uncomplicated (in a good way), catchy song structure, add a stick-in-your-head-for-hours melody, throw in some guitar-as-tone and drum-machine-as-rhythm, and then have a hell of a lotta fun with it all. Despite his penchant for headbands, tie-die, the word ‘nugs,’ and rather thin mustaches—or maybe due in part TO IT—frontman Darwin Smith has got it going on. And I promise not to judge next time. I’ll even sing along.

I got gloss on my lips
A man on my hips
Hold me tighter than my Dereon jeans


Check out their Song of the Week and, if you likey, order some records, real or e-style. Darwin Deez’s. Not Beyoncé’s. Though, you know…

Today, we give you another installment of our continuing series, Not Just a Phase, where we’ve asked friends, colleagues, and total strangers to talk about how they came to be vegetarian/vegan. You can read more about it here. And if you’re vegetarian or vegan and want to tell your story, send us an email! But first, check out lauren’s story.


I first went vegetarian when I was really young and I feel like there wasn’t one thing that happened to bring it on, though I am told that when my mom told me what chicken was, I didn’t want to eat it anymore. I think my decision may have actually come about more from seeing cows in the fields and not wanting to break up their families. I don’t think I consciously recognized how much my parent’s divorce impacted me, so I don’t know that I saw the cows and made a connection, but something sunk in that, by eating meat, I would be breaking up a family, and that would be painful and I just didn’t want to do that. As I was the only veg person I knew—and I didn’t even know at the time that a term existed for people who didn’t want to eat animals—I would try to not want to eat meat by picturing a cow not coming home because someone decided to eat him or her. So I stopped eating cows and eventually stopped eating all animals. Eventually, I went vegan in high school when I started learning more about the egg and dairy industry.

lauren Ornelas

lauren runs an all volunteer non-profit, Food Empowerment Project, volunteers with a local animal rights group, and works full time with the Silicon Valley Toxics Coalition.

Find out more about Food Empowerment Project here and, a project of FEP, veganmexicanfood.com here. And have a great weekend everyone.

Inexplicable creepy girl painting in our shared office bathroom.

Last year, we experienced one of those crazy, only-in-New-York moments. And when I say ‘experienced,’ I mean more that we heard about it happening and then totally regretted not attending in person. That’s how we roll. I think there was a Mad Men marathon on or something. That Don Draper…


Back to the point, last April—a little over a year after they compiled their tribute to Björk, Enjoyed (which you can still and should download ASAP)— Stereogum‘s own Brandon Stosuy brought together Björk and the Dirty Projectors (who were featured on the tribute) to put on a benefit for NYC’s Housing Works. For those who don’t know, Housing Works is a noble organization dedicated to “ending the twin crises of AIDS and homelessness.” Stosuy happens to be a board member at Housing Works and, after hearing of the mutual admiration Björk and the Projectors had for each other, he worked to put together the one-night event to raise awareness, raise funds, and…excuse the easy out…raise the roof. I know. I know. What can you do? It’s a blog, not The New Yorker. Read more about the event here. (Haley Joel Osment was there!)

Fast forward a little over a year, which brings us to the end of last month and the release of Mount Wittenberg Orca, the seven-songs written by DP’s David Longstreth for the benefit. When they originally performed the songs, Longstreth introduced them with this:
“We’ve never played it in front of anyone before, and we are just incredibly honored to sing this music with Björk….It is about a day three weeks ago that Amber Coffman (of the Projectors) was in Northern California watching whales from a mountain called Mount Wittenberg. The…songs are imagining the moment Amber saw this whale, and the whale saw her. I think it is called Mount Wittenberg Orca.”

That it is. And, following on the original concept, the EP is being sold electronically to benefit another noble organization—this time, the National Geographic Society. Again, as they put it:
“We’ve decided to give away all the money that Wittenberg generates to the project of creating international marine protected areas. Only 1% of the oceans are protected in any way and this is a huge problem. We’re working with the National Geographic Society to create areas of sustainability, so the oceans don’t end up like a giant poisonous corpse hugging the continents.”

If you know the artists involved at all, the EP is about what you would expect—lush, glimmering, glitchily beautiful, and featuring near-acrobatic harmonies. We crazy-highly recommend you DOWNLOAD THE SONGS NOW at whatever donation level you feel appropriate. The music’s excellent, as is the tradition of philanthropy that follows it. Take a listen to “When the World Comes to an End”, this week’s Song of the Week, and then promptly give the waters that surround us all (and your ears) a much-deserved gift.

Photo: From Stereogum‘s coverage of the benefit.

BAM‘s kicking off their second Cary Grant retrospective—aptly dubbed Cary Grant 2. As they state on their site, “This sequel to last year’s series presents more films starring the inimitable leading man, whose iconic blend of elegance, comic timing, and flawless physique led Howard Hawks to declare him ‘by so far the best that there isn’t anybody to be compared to him.'” So dapper it up, Dan.


Movie still from Grant + Hepburn’s hit, Bringing up Baby, showing Tuesday.

—from NYC’s Francis and the Lights. Go to their site to hear some more excerpts from their forthcoming full-length debut, It’ll Be Better, out later this month.

Trying something new again today with Friday Fave Five Fah, bringing you five of our favorite tracks bound together by a common theme. In this case, we’re celebrating the birth of America with five of our favorite covers of—what else?—Bruce Springsteen songs. Nothing’s more American than the boss, and why not celebrate the fourth with some of the best interpretations of the music he’s given us over the many, many years.


First up, a superbly intimate version of “Dancing in the Dark” by Scotland’s unfortunately-named Beerjacket (AKA-Peter Kelly). Somehow pulled of beautifully and rockingly at the same time.

Next, Portland’s Chromatics give us a smoothed over, blissed out “I’m On Fire,” replacing some of the original’s edge with their trademark sultry vocals and easy-flowing guitar-keyboard interplay.

John McCauley’s Deer Tick gives us a healthy dose of Americana grit covering Springsteen’s “Nebraska” during their Daytrotter session last year.

Next we have Brooklyn’s finest—The National—and their live cover of Bruce’s “Mansion on the Hill.” If you haven’t already, definitely check out their new album, High Violet. Truly superb.

And, finally, another one of our favorite artists, Dan Black, from Paris by way of London, brings us a crazy-cool mash up of a Nick Drake song and “Dancing in the Dark.” You’ll excuse the duplicity once you hear how awesome this one is.

Alright, so get out there this weekend and start a tofu dog America dance party!

?uestion: How do you put out an innovative new record after acting as the house band for a late night TV show for over a year? With a lot of help, evidently. The Roots’ new record, How I Got Over, out last Tuesday, features Monsters of Folk, the women of Dirty Projectors, and none other than Joanna Newsom, among others. True, Joanna Newsom really only appears as a sample, but it works nonetheless. Like a lot of great hip hop, this week’s Song of the Week, ‘Right On,’ leans heavily on the juxtaposition of rhythmic verse and more melodic breaks, so we’re not really covering a whole lot of new ground here, but that doesn’t make this any less enjoyable. Check it out and, if you like, take a listen to the rest of the new Roots record over at their MySpace page.

As always, dear reader, apologies for the recent radio silence, so to speak. Between work, the onset of summer, and the glories of the World Cup (DONOVAN!), we’ve been stretched thin a bit in the realm of free time. That said, we endeavor to bring many exciting things next week, including a photo shoot piece we’re very excited about that’ll feature one of our favorite companies and clients. In the meantime, we’re happy to bring you another installment of our version of the Veggie Tales, Not Just a Phase (explained in detail here).


I grew up around the farmlands of Connecticut. Although we didn’t live on a farm, it wasn’t long before we acquired many farm animals. Horses (the most intimidating), goats (the comedians), rabbits (the laziest), pigs (the most fascinating), as well as a regular assortment of frogs, snakes, dogs & cats.

I also grew up during the birth of MTV and it wasn’t long until it became my church. I worshipped Michael Jackson, Cyndi Lauper, and random new wave pop and it wasn’t long before it started reflecting in my wardrobe. I wore the thriller jacket & the rhinestone glove to school in 7th grade, but while I was moonwalking down the halls, the other, rural Connecticut never-exposed-to-diversity kids were plotting my demise because they did not know what to do with me.

This awkward time of not relating to others (humans especially) made me dive into getting to know our farm animals, which were always there and always ready to interact with us. So I did. I got to know the 4 pigs and 2 goats on a level that no one else in my family seemed to be experiencing. I had friends! I ran off the school bus to get back to them and they greeted me with equal enthusiasm. The goats would play with me so hard that I would be rolling in the grass with them cracking up. As for the pigs, I cleaned them, I fed them, I rode them around the house, and even though they hated when I managed to catch up and grab a 2 second ride, they loved the game of it and I knew it. I felt it.

One day I came home from school and the pigs were gone (this particular story is just the 1st time this happened). They had been killed, slaughtered, cut up and wrapped in white paper packages and stacked up neatly inside the freezer in our garage. I wasn’t told; I discovered it by myself when I opened the freezer. Everything came to me in seconds—the emotions, the shock, the confusion, the anger, the absolute undeniable feeling of wrong.

These few seconds directed the rest of my life. It wasn’t long before I hit the nutrition books and combined scientific fact with what I had known in my heart all along—animals are not food. Realizing this also made me realize that, just because I want to wear shoes, carry bags, wear belts and carry a wallet, none of that has anything to do with animals, so why drag them into it? Let alone rob them of their lives and make these items from their actual bodies after being forced by us to live a life of torture. If I don’t want that done to me then why should I do it to anybody else?

These were the pieces of my puzzle, but why others find my position disagreeable continues to baffle me to this day.

That’s my story morning glory.

Brian Duprey

Duprey Cosmetics
agent:
Judy Casey Inc.
Judy Casey, Doni Miller, Mary Ching.
212.228.7500

Pictured above, Brian’s farm friends from, circa 1981. Brian now owns a line of completely cruelty-free cosmetics,
Duprey Cosmetics. Check them out. And have a great weekend.

In honor of the first day of summer and the countless steamy, beachy days to come, this week’s Song of the Week is brought to you by Major Lazer and La Roux.


For anyone who doesn’t already know, Major Lazer is Jamaican commando who lost his right arm in the ill-fated zombie war of 1984, but—being the ‘silver lining’ type he is—took the opportunity to go ‘gun-arm.’ Makes sense. Now he rides his rocket-powered hoverboard around town battling the undead and ‘bringing the party,’ as the kids say. He’s also the alter ego for DJ duo of Philly-based Diplo and Britain-based Switch. The two have teamed up with La Roux (AKA—London’s Eleanor Jackson + Ben Langmaid) to bring us all their remix of La Roux’s Buletproof, the catchy, dubbed-out, elctro-bliss that kicks off both the summer and their mixtape, Lazerproof. Download the whole thing here for free and off to the beach party with you!