Nikki McClure has held a place in our hearts for a long, long time. First, in college, as an independent musician, then, later, as one of favorite visual artists, taking single sheets of paper and carving into them a detailed, whimsical world of beauty and grace. So, needless to say, we were beyond excited and unbelievably humbled when she agreed to do an interview with us. Below, we talk about her papercutting process, misheard lyrics, and, of course, crows. All images © Nikki McClure (obvs).

Kindness of Ravens (KoR): Alright, first of all, thank you SO much for agreeing to e-talk with us. You’re seriously one of our favorite artists and have been for years now. It means a lot to be able to speak with you.

So, for anyone who doesn’t already know your work, can you briefly describe what you do and how you do it?

Nikki McClure (NM): I cut images from paper using an x-acto knife.

KoR: Well, THAT’S a bit of an understatement. How long does an average(-ish) paper cut take you?

NM: I usually give myself a week, but sometimes it takes longer. The week timeline is usually a combo or procrastination and scheduling.

KoR: And do you always work from a single sheet of paper? I feel like that’s understandably one of the most impressive parts of your process to us.

NM: Yes. But sometimes there are separate pieces, but that’s very rare. I like to keep it all connected—a visible example of interdependence.

KoR: So there’s an artistic significance to the process or is it mostly a structural thing?

NM: Yes and yes. It started out as structural, a game, a challenge—the set of rules that I operated under—like math. But the artistic significance has been revealed slowly. We are all connected.

KoR: Nice. Are they always in black only originally?

NM: Mostly. Sometimes I will add an additional color, but it has to be the right color and the right paper. I like black and white.

KoR: It is classy. So, then with some of the prints based on your paper cuts, you add color, correct? Is that a silkscreen thing or a computer thing?

NM: It’s a computer thing. The images that most people see of my work are the graphic versions of my art. I sit in my friend’s basement and work on it directing him over his shoulder, or I scan and send it and we do it all via email. Hands-off.

KoR: We actually have a little old apple book that looks like it was colored in with red crayon. Guess that doesn’t happen much anymore eh?

NM: Ah, hands-on. Yeah…I have tied a lot of ribbons, punched a lot of holes, colored in a lot of red apples….that book has my 1st papercut as the illustration on the first page. It will be reprinted in 2012 by Abrams. No hand coloring this time.

KoR: I should hope not. So, do you ever get near the end of a piece and totally, say, take out a tree that supports the whole thing and have to ditch it all?

NM: No. Usually I mess it up earlier than that! Every piece has mistakes. None are perfect. I usually make do…or even better, believe that it is doomed and then I just keep going liberated from the fear that I will “mess it up”. It is already messed up and now I am free to try new things since I can’t mess it up more!

KoR: Very Zen. So, how did you get into this very specific realm of art? Were you ever into traditional Scherenschnitte?

NM: I had a period of folded scissor-cutting but it was mostly Valentines. I started with technical pen and ink, moved to scratchboard, then linoleum, then papercutting. Each step was consciously trying to move away from a technical tendency in drawing. I wanted to make mistakes. I wanted to make it not be perfect. Drawing with a knife is my therapy.

KoR: Certainly one of the more constructive ways to express yourself with a knife…. It seems like the subject matter in your art has been veering more and more toward the natural world and ‘simple’ living—farming, manual labor, sewing, canning, birds in trees. Is that just a reflection of your day-to-day life or should we pull more meaning from the subjects?

NM: I make pictures about my life. So yes, it is a reflection of that living…yet I also make pictures based on a broader community-based memory. I concentrate on evoking memory, from last week to ten thousand years ago—things that humans do. Positive things that humans do, I should add. I focus on our strengths: Hands, tools, dreams. We need to remember what we are fully capable of. It is not shopping or typing at a computer (I am making chicken soup and just revived the fire during this interview).

KoR: About all I can handle is coffee-drinking while I type. And even that’s a little dicey. So, for both Katie and I, much of our development—artistically, morally, educationally—took place when we were in college together in the early and mid-Nineties and we inundated ourselves with the Riot Grrrl and new new punk movements. So we’re familiar with you as an artist in two ways—first, in your work with K Records, Kill Rock Stars, and your own, edgy vocal-centric music; then only later did we come to know your visual work. While we’re big fans of both of these artists, it does seem like a big gap to bridge in terms of style and subject matter. Did one realm of work lead to the other at all?

NM: It is still the same me! The music definitely gave my voice confidence but it was nicer to just stay home and make a book that one person WANTS to read—maybe with a child in their lap—as opposed to sleeping on floors and waking up next to a pit bull (“Dont worry, he’s nice!”) and making people listen to me un-miked in a bar when they just want to hang out with their friends without some lady yelling at them (nicely…in a singy-sort of way). There’s less stage fright involved and now I get hotel rooms and 11AM story time tours. But the music was an awakening. Now my voice is refined and printed. No more yelling. Even the words I use are not in your face…but suggestive reminders.

KoR: I was personally always a huge fan of the song, “Omnivore”…though I was constantly singing the words wrong, it turns out.

NM: That is perfect. You made up your own song. I like that my pictures have a very specific memory for me…yet they evoke a different memory to others.

KoR: I don’t know…I think I was singing something like, “Baby I’m on the voor”…. I’m bad with lyrics. So, are you still involved with the Olympia music scene at all or has it all evolved from music into…I don’t know…organic bakeries and local bookstores as its members have grown?

NM: There is still music. I mostly stay home. I have a kid and cannot bear staying up past 10PM much less waiting for a band to fiddle with cords. I get the singles downloaded weekly from K Records. I like to think that keeps me current…yet I never listen to them. I was always a LIVE music listener. Now if only someone were to serenade me…but only chickadees. So I listen to birds.

There are bookstores, bakeries, burritos, clothing stores, and cafes that are punk-based ventures. It has been exciting to participate as reader and eater.

KoR: You’ve been somewhat of a keystone seemingly in the Olympia community for years now. How have things changed there?

NM: Ahh…to be a keystone. I have been here a long time! About the same time I had a child (6 years ago), there was a cultural exodus from Olympia to Portland, mainly. I became a hermit in my Mom Cave. BUT, there is still Evergreen State College and there are still young dreamers and makers arriving all the time. A handful stay and CONTRIBUTE!! So that is still the same yet ever evolving.

KoR: Over the years you’ve translated your work into a variety of formats—books, posters, amazing calendars, notepads, shirts…. Any new products in the pipeline we can get excited about? Life-size paper cut sets for the stage? Capes?

NM: Capes??? You may have something there. I am dreaming of large silk-screen duvet covers.

KoR: Those would SO do well. Can we call dibs on a crow one? Now, in closing, and speaking of, we have to ask—what’s with the crow fascination?

NM: There are crows everywhere in Olympia. I keep time by them. They are me.

KoR: Crow clock. Amazing. Why didn’t we think of that?! Alright. Lightening Round. New band/music you’re listening to lately?

NM: Tender Forever.

KoR: Favorite recipe?

NM: Kale salad—massage the kale with salt, add some apple cider vinaigrette, some chopped apple, toasted sunflower seeds, golden raisins.

KoR: Yum. Best place in Olympia?

NM: Home.

KoR: Do they do brunch…? Cat or dog person?

NM: Bird.

KoR: Of course! Favorite piece of your own, ever?

NM: The one I am about to make.

KoR: Nice. Totem animal?

NM: Crow. Duh. Or chicken, according to my son (he gets to be a puma…grrrrr—I mean “cluck!”).

KoR: Favorite area artists that’s not you?

NM: Marilyn Frasca.

KoR: Odd thing not many people know about you?

NM: My ears are lopsided, so I can’t wear sunglasses comfortably.

KoR: Ah. My head’s weirdly thin, so I have to wear, like, designer kids’ sunglasses. Boooo. Finally…can we be crow buddies?

NM: Cawww!

You can see some of Nikki’s work below and much more on her site. And, while you’re at it, check out her extensive collection of awesome things at Buy Olympia.